CIMS In The Groove
2018 release from the legendary Aerosmith guitarist. Sweetzerland Manifesto features 11 hard-rocking original songs from the legendary Aerosmith guitarist. Joining Perry is a Murderers Row of some of the baddest names in rock, including Robin Zander (Cheap Trick), who sings on the single "Aye, Aye, Aye", David Johansen (New York Dolls), and Terry Reid. Even world-famous actor Johnny Depp gets in on the action, playing drums on "Eve Of Destruction". Joe Perry was ranked 84th in Rolling Stone's list of The 100 Greatest Guitarists of All Time. In 2001, he was inducted into the Rock and Roll Hall of Fame as part of Aerosmith, and in 2013, Perry and his songwriting partner Steven Tyler were recipients of the ASCAP Founders Award and were also inducted into the Songwriters Hall of Fame.
Tune-Yards’ magnum opus will arrive on January 19 in the form of new album I can feel you creep into my private life. Thematically, the 12 new songs tackle race, politics, intersectional feminism and environmental prophecies head on. But in the billows of intense subject matter, the album arrives as Tune-Yards’ most immediate and upbeat music yet- this is Tune-Yards’ music to dance to. On I can feel you creep into my private life, Tune-Yards is officially a duo. Garbus is joined by longtime collaborator Nate Brenner who produced and wrote the album together with lyrics by Garbus. Tune-Yards worked with mixer Mikaelin “Blue” BlueSpruce (Solange, Kendrick Lamar). Tune-Yards’ 2014 release Nikki Nack was one of the most well received albums of the year. New York Magazine called it “possibly the catchiest record of the year,” the New Yorker praised its “joyful energy” and “surprisingly sweet singing and catchy tunes,” and Entertainment Weekly said “life needs joyful noise like this.” Since the release of Nikki Nack, Tune-Yards has kept busy collaborating with legendary musicians David Byrne, Laurie Anderson and Yoko Ono, as well as penning the standout track, “Action,” from Mavis Staples’ 2016 album.
Blood is the much anticipated sophomore album from the romantic soul-pop group Rhye. An album about the aftermath of love which pairs a sultry, subtle, funky brand of soul music with the warm, powerful, and totally unique vocals and lyrics of Mike Milosh.
It's been 4 years since the critically acclaimed, Grammy nominated, and #1 Billboard Blues album Seesaw was released by singer-songwriter Beth Hart and guitar hero Joe Bonamassa. They have reunited for Black Coffee - another collection of scorching interpretations of ten soul gems that pair Hart’s breathtaking vocals and Joe’s masterfully expressive playing. Featuring songs made famous by; Edgar Winter, Ray Charles, Etta James, Ella Fitzgerald, Lucinda Williams and more.
What do you get when you combine elements of the Cramps, the Yeah Yeah Yeahs, Alice Cooper, Ozzy Osbourne and The Runaways? You get STARCRAWLER. STARCRAWLER are a Los Angeles rock band who formed in 2015 when 18-year-old lead vocalist Arrow de Wilde first met guitarist Henri Cash at their Echo Park high school. Shortly thereafter they were joined by the rhythm section of Austin Smith (drums) and Tim Franco (bass). The foursome play with squalling riffs and thundering beats, and their incendiary live shows, fronted by de Wilde’s otherworldly magnetism, are truly captivating. Geoff Travis, founder of Rough Trade, explains the label’s love for the band: “If you thought rock and roll was moribund, had lost its sense of fun and performance and primal power – it just means you haven’t seen Starcrawler yet.” After signing to Rough Trade earlier this year, they quickly released their debut single “Ants”, which caught the ear of Elton John who played the track on his Beats 1 radio show. Soon after, they were on the cover of LA Weekly – their hometown paper. The headline was “With Fake Blood and Frenetic Songs, Starcrawler make rock feel dangerous again”. In the article, Arrow describes that “bands are boring nowadays” and that “there’s no mystery”. That helps explain a little bit of why their shows have become the stuff of legend. They were also hand-picked to play the CalJam Festival in LA by curator Dave Grohl. Their soon-to-be-announced full-length debut album will be released by Rough Trade in early 2018 and was recorded by Ryan Adams on analog tape at his Pax-Am Studio. Ryan’s love for them and his excitement about the forthcoming album has been well documented in his many posts about them from the studio…. “This starcrawler record is gonna peel the paint off your brain”…. “Starcrawler are so fucking insanely good. Soon they will rule this galaxy.” Gerard Way of My Chemical Romance has also fallen in love with the band and turned a ton of his fans onto them. He said “Losing my GD mind over this band Starcrawler. A blend of almost all of my favorite stuff but completely new. Super refreshing to see this mix of 70’s theatricality and Stooges electricity.” The new album sees them perfect their own take on “classic” rock the and 10 songs contained on it prove that yes, they ARE making rock and roll exciting again!
The Worms Heart is a complete re-work of The Shins critically acclaimed March, 2017 album 'Heartworms'. The album offers new reworked versions of the 'Heartworms' album original tracks, and the sequence is flipped as well. The album is available digitally, on CD, and VINYL LP.
When James Mercer wrote, produced, and recorded the Heartworms album, he had this desire for an alternate version, an opposite version. The album's slow songs would be flipped and re-recorded as fast songs, and vice versa. The reasoning was to showcase the versatility and strength of his songwriting, and the result is The Worm's Heart. This 'flipped' collection is produced by Yuuki Matthews, Jon Sortland, & James Mercer; and is a must for any fan of The Shins.
Porches’ third record The House is a conscious effort in minimalism and honesty. “Making Pool”—the band’s 2016 breakthrough record, and Domino debut—“I learned how valuable the spirit of the demos are,” says singer Aaron Maine, “so this time I made a point of capturing a song the day it was conceived.” Because of this desire to document immediate sensations, the record’s fourteen tracks offer a series of diaristic vignettes. There are moments of emerging from fear of ego death (“Leave the House,” “By My Side,” “Now The Water”), escaping the corporeal (“Now The Water,” “Swimmer”), the terrifying thrill of young love (“Country,” “W Longing”), and parting with the past (“Wobble,” “Goodbye”). While these themes possibly paint The House in a dark light, the record is marked by an excitement at the prospect of self-discovery, and commitment to the process of getting there. Though Aaron largely composes on his own, The House features contributions by Alexander Giannascoli ((Sandy) Alex G), Dev Hynes (Blood Orange), Maya Laner (True Blue, Porches), Kaya Wilkins (Okay Kaya), Bryndon Cook (Starchild & the New Romantic), Cameron Wisch (Cende, Porches), Jason Arce, Bea1991, and his own father, Peter Maine. As with Pool, Aaron brought his recorded work to Chris Coady (Beach House, Slowdive, TV on the Radio), who then mixed The House at his Sunset Sound studio.
The Wood Brothers' sixth outing, One Drop of Truth, dives headfirst into a deep wellspring of sounds, styles and influences. Whereas their previous outings have often followed a conceptual and sonic through-line, here the long-standing Nashville-based trio treat each song as if it were its own short film. Fittingly titled, the latest entry in The Wood Brothers evolution finds three musicians being true to themselves. In chaotic times when honesty is in short supply and ulterior motives seem to always be at play, The Wood Brothers put faith in themselves and ultimately their audience by writing and recording a collection of songs that is honest and pure.
Django Django – David Maclean (producer/drummer), Vincent Neff (vocalist/guitarist), Jimmy Dixon (bass) and Tommy Grace (synths) -- return, exploring new sounds with their third full-length album, Marble Skies. It’s a concise and focused album that recalls their dynamic, genre-blurring debut and its handmade, cut-and-paste approach. Following the release of Django Django’s 2012 Mercury Prize-nominated debut and 2015’s Born Under Saturn, the process for Marble Skies began with a back-to-basics approach in line with the DIY ethos of the band’s early days. In late 2016, Django Django (minus Maclean) assembled at Urchin Studios in Tottenham, London with Metronomy drummer Anna Prior to experiment with new material. After ten days of recording, there was plenty of raw material to send to Maclean for him to edit, refine and evolve before the band rejoined for recording proper. Marble Skies was completed in mid-2017 in their small, equipment-crammed studio in north London – a similar environment to the first record, which was recorded in Maclean’s bedroom.
Ezra Furman's second album for Bella Union represents a new landmark for the American singer-songwriter. Furman says, it is "not a concept record, but almost a novel, or a cluster of stories on a theme. A combination of fiction and a half-true memoir, a personal companion for a paranoid road trip, a queer outlaw saga." Crossing between love, gender, sexuality and religion, and singing in solidarity with the innocent, persecuted, oppressed and threatened, Ezra Furman has soundtracked the current fear and loathing across America like no other.
'Ballads Of The Broken Few' is Seth's eighth studio album and was produced by the legendary Ethan Johns, between them they have conjured up an epic, soulful album of compelling songs that are stripped back to their very essence.
The Wombats fourth studio album, 'Beautiful People Will Ruin Your Life', will be released February 9th 2018 on their own independent label via Kobalt Music Recordings, and features the brand new single 'Lemon To A Knife Fight'. 'Beautiful People Will Ruin Your Life' sees The Wombats continuing to assert themselves as one of the biggest and best guitar pop sensations of our time. Written from three corners of the globe - drummer Dan Haggis in London, bassist Tord Øverland Knudsen nursing his new family in Oslo and frontman Murph in Los Angeles - Beautiful People Will Ruin Your Life was created over long distance writing sessions, supplemented by intense two-week in-person sessions in Oslo. With the addition of producers Mark Crew (Bastille, Rag'n'Bone Man) and Catherine Marks (Wolf Alice), the album finds The Wombats pushing the boundaries of alt-pop innovation with a lush, ultramodern indie soundscape wrapped in Blade Runner synths, future grooves, celestial solos and space age melodies.
They Might Be Giants is back! The Brooklyn originals can't stop and won't stop, with 2018 already destined to be one of their most magnificent and productive years to date. Thirty-five years deep into their epic career, this January will see the release of their brand-new studio album I Like Fun. The fifteen-track album was produced with and mixed by Patrick Dillett (St. Vincent, David Byrne, Mary J. Blige, The National, Donald Fagen) and recorded at Reservoir Studios (the former Skyline Studios where TMBG recorded their platinum album Flood). The lead track;I Left My Body; is a prime slice of the power They Might Be Giants commands. Hyper-melodic, fresh, and ever rocking, They Might Be Giants formidable live lineup enjoys a reputation for delivering one of the best shows around, and this album is a real showcase for that musical energy. I Like Fun jumps with surprises, vitality, and the startling, singular point of view TMBG always delivers.
Coinciding with the album's release is the first leg of the band's extensive world tour that kicks off with a fifty-city run across the US. And 2018 will also see the resurrection of TMBG's legendary Dial-A-Song service on streaming sites everywhere, featuring new music all year long!
Bahamas is the solo project of singer-songwriter Afie Jurvanen. He recently toured in the USA opening for Jack Johnson on his sold-out tour where he tested out tracks from his 4th studio album Earthtones, out 1/19/18. The album is a quirky yet haunting collection of songs that touch on success, parenting, facing depression, and everything else in his life. Most of all, it's an album about friendship, & how great it is to have someone in your life that can lift you up when you're feeling down.
An enthralling solo debut, Van William’s COUNTRIES signals the arrival of a gifted young artist on the rise. Known for the meticulous song craft of his former acclaimed indie outfits, Port O’Brien and WATERS, on COUNTRIES, Van William offers an auspicious glimpse into a new and promising future. Includes the single “Revolution” featuring acclaimed Swedish folk duo First Aid Kit.
Ruins is the new and eagerly awaited album from Swedish sister duo First Aid Kit. This new album finds First Aid Kit as you've never heard them before: wounded and biting back hard. While Ruins follows the traditions of the classic folk rock sound that First Aid Kit revived via their breakthrough album Stay Gold (2014) and previous releases The Big Black And The Blue (2010) and The Lion's Roar (2012), the difference is that this time they've lived, and the results are intense.
Tracks such as "Rebel Heart" the album's opener documents a love doomed from the start. "It's A Shame" the lead single is a plea to live in the moment because everyone disposes of each other eventually. On "Postcard" and To Live A Life," you feel the breath-stealing weight of despair when a shattered love leaves you bereft of hope. "Fireworks" introverts the blame with self-loathing.
In many ways, First Aid Kit's largest asset is their biggest problem. Their voices are so damn pretty. The [previous] records were always so perfect," says Johanna Söderberg. On Ruins, the duo didn't want it to feel perfect. They wanted it to feel rough and wrenching. Johanna comments further, "Given the material, the lyrics had to be the focus. These sentiments didn't need to be dressed up. They needed to be naked."
Ruins was made with one target in mind: make it sound more real a result the Söderberg sisters clearly achieved.
Encore was produced by Grammy Award-winning producer Dave Cobb and recorded at Nashville's historic RCA Studio along with additional production at House of Blues and Farmland Studio. The album features eleven songs, including "All On My Mind" (written by Ed Sheeran, Johnny McDaid, East and Aaron Raitiere), "King For A Day" (written by East, Chris Stapleton and Morgane Stapleton), "Girlfriend" (written by East, Cobb, Raitiere and Tim Bergling) as well as renditions of songs by Ted Hawkins and Willie Nelson. The release of Encore culminates a breakout series of years for East following his widely praised debut album, Delilah, which NPR Music called "an eclectic, fully formed debut."
John Oates is one half of the best-selling duo of all time, Hall & Oates, as well as an accomplished solo artist. Now, he has teamed up with an amazing group of accomplished and rising stars in the Americana music world to bring his new album, Arkansas, to life.
The project originally began as a tribute to Oates' idol, Mississippi John Hurt. It evolved organically, during a series of Nashville recording sessions, into a unique, retrospective collection drawing from a wide rand of Oates' musical influences. Asked about the style and sound of Arkansas, he says, ''it's like Dixieland dipped in bluegrass and salted with Delta blues.''
The eagerly awaited official soundtrack album to the film Lady Bird showcases songs personally selected by Greta Gerwig for her acclaimed directorial debut. Album includes key tracks by Alanis Morissette, Dave Matthews Band and others, the Overture from Stephen Sondheim's "Merrily We Roll Along (performed by The Original Broadway Cast and Orchestra), audio clips from "Lady Bird" and more!
4-panel digipak on uncoated stock. Includes miniposter insert.
On January 26, H.C. McEntire, frontwoman of Mount Moriah, strikes out on her own with her debut solo album LIONHEART, a collection of songs inspired by the American South and a desire to reclaim “country” music from the hetero-normative, homogenous schtick of tailgates and six-packs and men chasing women. Stereogum describes her voice as “weary, wise, and bright as morning sunshine all at once,” and that sunshine glows throughout the triumphant LIONHEART.
For the album, McEntire collaborated with many of her favorite musicians, including Kathleen Hanna, Angel Olsen, Amy Ray, Tift Merritt, William Tyler, Mary Lattimore, and Phil Cook, while remaining bravely devoted to her most authentic self throughout the process. LIONHEART was recorded during the first few months of 2017 with additional recording and mixing taking place on the run as McEntire toured the world as a member of Angel Olsen’s band.
4-panel digipak with 8-panel poster-style insert.
After the shocking, and for many, demoralizing result of the 2016 election, “I didn’t buy the silver lining some were promoting that ‘well, at least art and music will be great now!’,” says Superchunk co-founder and frontman Mac McCaughan. “Obviously, any sane person would gladly trade four to eight years of terrible music for not having our country dismantled to satisfy the whims of a vengeful child and his enablers.”
That said, good music and art still have a lot to say, and the urgency of current events gave Mac, Laura, Jim, and Jon the momentum to make something new sooner than later. “It would be strange to be in a band, at least our band, and make a record that completely ignored the surrounding circumstances that we live in and that our kids are going to grow up in.” Enter What a Time to Be Alive, Superchunk’s first album in over four years, out February 16, 2018, on Merge Records. It’s a record, says Mac, “about a pretty dire and depressing situation but hopefully not a record that is dire and depressing to listen to.”
A triumphant recasting, Franz Ferdinand’s Always Ascending is as exuberant as it is euphoric, bursting with fresh ideas born of what Alex Kapranos calls “aggressive sonic experimentation.” With the help of producer Philippe Zdar (Cassius, Phoenix, Beastie Boys), Kapranos and co. took a knife to their old canvas, producing an album that is so foreign in its familiarity it could only be current. A sound the singer refers to as “simultaneously futuristic and naturalistic.” These are the louche tales of the Parisian night, the exhilaration of an Italian car racing down the autobahn; a feeling of euphoria so pure it could only exist on a knife’s edge. As such, best to press play expecting nothing more than a good time. “I hope that when you listen to it you feel exhilarated,” Kapranos says, “Until you fully absorb the lyrics.”
Little Dark Age is the long awaited new album from MGMT. The album is produced by MGMT, Patrick Wimberly (Chairlift, Kelela, Blood Orange), and long-time collaborator Dave Fridmann (Flaming Lips, Spoon, Tame Impala). MGMT recorded Little Dark Age at Tarbox Road Studios in Cassadaga, NY.
The new album includes the previously released title song "Little Dark Age," and the tracks "When You Die" and "Hand It Over." Each of these tracks were also accompanied by stunning video clips. The focus track and video for "Me and Michael" will be released around the album.
MGMT will also embark on a worldwide tour in 2018, with dates in the US from March through June including Firefly Music Festival.
Formed in 2002 by Andrew VanWyngarden (lead vocals, guitar, keyboard, bass guitar, drums, percussion) and Ben Goldwasser (vocals, keyboards, guitar, percussion), MGMT released their influential, Grammy-nominated, debut album Oracular Spectacular in 2007. This was followed by 2010's Congratulations and 2013's self-titled album MGMT.
Loma's enigmatic debut feels beautifully adrift in time and space. It's an album that takes you to a place you've never been, with a rare confidence in the strength of its own vision. Though it was recorded off a dirt road in rural Texas, there's no hint of country here: from the first airy notes of "Who Is Speaking?" to the decaying choir of "Black Willow," Loma create a hypnotic world of their own, where rustling leaves, fuzzed-out basses, panting dogs, prepared pianos, and a wilderness of percussion form a backdrop for Emily Cross's translucent voice. She's a steady, clear-eyed presence throughout, even among the heart-pounding pulses of "Relay Runner", the skittering drums of "Dark Oscillations" and the galloping release of "Joy"; in sparer songs like "Shadow Relief" and the haunting "I Don't Want Children," she's a fearless ally, swimming calmly with you against a powerful undertow. Loma is inviting but also beautifully self-contained, like a dream that stays with you all day. There's something here for lovers of Nina Nastasia or Broadcast, but also Linda Thompson, or The Silver Apples—even early Pink Floyd. But most of all, this arresting and mysterious album marks the arrival of a band whose first steps already feel timeless. Loma was recorded by the group at Dandy Sounds Studios in Dripping Springs, Texas and mastered by Greg Calbi at Sterling Sound.
Already acknowledged as a thrilling live performer and starkly honest lyricist, Damned Devotion finds Joan Wasser at her rawest. ''My maxim is: if it feels scary to say it, it's the thing you must say''. Stripping her compositions back to the core, her timeless melodies and bare-all lyricism harken back to her accolade-winning album To Survive (2008) and her universally acclaimed debut album Real Life (2006). On Damned Devotion, thoughtful lyricism is married to Joan's most accessible music to date.
4-panel digipak with matte coating. Includes 8-panel poster-style folder insert.
On Room Inside the World—Ought’s third album and their first for Merge—growing up doesn’t mean mellowing out so much as it means learning to pay attention, listening carefully and openly, staying somewhere long enough to really understand where you are. Recorded at Rare Book Room in Brooklyn with producer Nicolas Vernhes (Deerhunter, Animal Collective, Silver Jews), Room Inside the World explores themes that have always concerned the band—identity, connection, survival in a precarious world—but with a bolder, more nuanced sound palette. Vibraphone, justly intonated synthesizers, drum machines, and a 70-piece choir suffuse the precise post-punk breakdowns that spangled Ought’s first two albums, giving rise to an emotional complexity that pushes their characteristically taut sound to greater depths.
Known as singer/guitarist of The Gaslight Anthem, as well as The Horrible Crowes, Brian Fallon to release his sophomore solo album, Sleepwalkers, on 2/9/18 via Island Records. Fallon will launch an extensive run of 2018 European and North American tour dates with his backing band, The Horrible Crowes to support the album's launch. Current single, 'Forget Me Not,' is building at Alternative, Triple A, and Active Rock radio.
Universal Pictures to release soundtrack to third & final installment of the Fifty Shades Trilogy, 'Fifty Shades Freed'. Soundtrack includes original music from Sia, Julia Michaels, Rita Ora, Liam Payne, Hailee Steinfeld, Bishop Briggs, & many more! Pre-order launches on 1/12 with previously released track, Liam Payne & Rita Ora For You (Fifty Shades Freed) in addition to a new pre-release track, Hailee Steinfeld & BloodPop 'Capital Letters'. Album will release in conjunction with the film's theatrical release on 2/9.
Rock Island, their second LP, Palm produces evidence of a distinct musical language, developed over time, in isolation, and out of necessity. Despite appearing behind the instruments typical of rock music, Palm trades in sounds of their own making. On these songs, one of the guitars and the drum kit are used as MIDI triggers, producing an index that can be combed through later and replaced with new information. The band is firmly attached to the physicality of rock, but not as much its tone; their instruments tend to sound like any number of things at any given time. Rock Island arrives February 9th on Carpark Records.